Category Archives: artist opportunities

Harnett Biennial CFE

“Going Home” Woodcut by Tony Lazorko

It’s that time again!  We just received the Call for Entries for University of Richmond’s Harnett Biennial of American Prints.  Last Exhibition (in 2010) included works by WPG’s then member Tony Lazorko and current member Lee Newman, as well as friends of the gallery Lindsay McCulloch, Jake Muirhead, and Ann Zahn.  We’re hoping to see some more familiar names this round!

2012′s juror is Carl Solway, specialist in contemporary art and President of the Carl Solway Gallery, Cincinnati, Ohio.  The exhibition is open to all artists residing in the US and using traditional or experimental printmaking techniques and media (but no giclee reproductions).  The deadline for submissions is August 8, and you can download and entry form here.  There are several undisclosed purchase awards mentioned.  The exhibition will be on view October 23-December 9 of this year.  Good luck, printmakers!

Portfolio Reviews at Brentwood Arts Exchange

Our friends at Brentwood Arts Exchange are hosting a portfolio review.  This review will be conducted by arts professionals such as Helen Frederick and Michael McBride, and is open to artists of all experience levels – student to established.  This is your opportunity to receive critical feedback from those who have insight into the gallery, municipal, and collegial worlds.

Full details can be seen on Brentwood’s website.  Hurry though-portfolio’s on CD are due this SATURDAY, May 19.  Artists will receive notification of their review time (between 10 am and 4 pm on June 2) after the porfolio has been initially reviewed for completeness.

May Calls For Entry

“Lure,” 4 plate etching and aquatint by Jonathan Goebel of Bluffton, SC

Wow, we haven’t done a call for entry round up in a while!  First off–we’re in the final days for NSW applications here at WPG.  If you haven’t applied, you have until 11:59 on May 19. You can see the prospectus, including details about the recently announced Tran Van-Dinh Award, at our website.

In addition to that, Northern Arizona University just emailed us the prospectus for their 6th annual Juried Print Exhibition.  This year’s juror is Ian Ruffino, Senior Lecturer of Printmaking at The Ohio State University.  NAU’s print show accepts all printmaking media except commercial reproductions, so traditional, experimental, and hybridized methods are welcome.  The deadline for submission materials is June 15.  For more information, email art.museum (at) nau (dot) edu.

Also, the inaugural, locally-held Capital Pride Festival is accepting submissions from LGBTQ artists for their 2012 Arts Stage. There is room for 12-14 artists, each with approx. eight linear feet of wall space.  Deadline for submissions is May 20. If you are interested in applying, visit their website.

Finally, this isn’t really a call for entries, but we did want to share some info from Pele Workshops in St. Louis, MO.  We just received a postcard announcing their summer workshops, and they look like fun! Included are a Stone Lithography Intensive (June 25-29) and Green(er) Printing, July 28-29.  Visit their website for more details.

Just Announced: the Tran Van Dinh Award

"Emerging Dragon" by Nuong Van-Dinh Tran

Dr. Tran Van Dinh was an admired diplomat, professor, and author, who, amongst his many roles, served in the Vietnam Embassy as well as taught at SUNY and Temple University. In addition to his work promoting peace and social justice, he was an avid supporter of the arts—often accompanying his wife and founding member of WPG Nuong Van Dinh Tran to gallery events. We were sad to lose him in October of 2011.

Dr. Tran’s wife, Nuong, recently came across last year’s NSW brochure, and said she was again impressed by the quality of work that was included.  She knew her husband would want to support the wonderful printmakers across the country, and contacted the gallery to set up an award in his honor.  To that end, we are proud to announce the Tran Van Dinh award as part of this year’s National Small Works.  This $200 cash prize is in addition to the previously announced awards, and will go to a deserving printmaker.

We would like to thank Nuong and her her family for thinking of the gallery, and we are honored to be able to remember Dr. Tran in this way.

News Roundup from WPG

We have little tid-bits of info we wanted to share with you.  Some have been tweeted already (and probably will be again), but some needed a bit more than 140 characters:

Sargasso Sea Scrolls

Did you see the Sargasso Sea Scrolls that are part of Pyramid Atlantic’s member exhibition this month?  If not, you have until April 29 to come in and see them. A collaborative effort between Pyramid Atlantic and the Sargasso Sea Alliance (SSA), the scrolls illuminate the rich biodiversity of the Sargasso Sea and conclude months of collaboration between artists, printmakers and papermakers. You can buy a hand-printed, limited edition Sea Scroll Key and know proceeds will benefit both PA and SSA.  Contributing artists include our own Jenny Freestone and Lee Newman.

The Washington Print Club’s Annual Meeting and Party is Saturday, May 5, from 11-1 pm.  Not a member yet?  You can sign up at their website.  Also that day is Ellen Verdon Winkler’s Opening Reception, from 1-4 pm.  You can party-hop and make it a truly print-filled day!

"In the Beginning," a traditional, Western-bound artist book by Margaret Adams Parker

Official dates for Pyramid Atlantic Book Arts Fair have been announced!  (We have the Save the Date bookmarks in the gallery, look for website updates from them soon.) Mark your calendars for November 16-18, 2012.

Our joint exhibition at Ronald Reagan National Airport, Pushing Process, is almost over!  We de-install Tuesday, May 1 at 10 am.  You (or any friends you have traveling through that airport) have until then to see it.

Finally, yesterday was the early-bird deadline for National Small Works.  If you didn’t make that deadline, you still have until May 19 to apply.  We posted our 2012 FAQ yesterday, and you can also check out our 2011 clarifications that went over some common issues last year, too.  If you’re still having trouble with our application, feel free to call us!

National Small Works 2012 FAQ

TONIGHT is the early bird, reduced fee deadline for National Small Works.  If you miss that deadline, you do still have some time to apply–the final deadline is May 19–but the fee goes up.  We’ve seen a lot of entries in the past two days, and have had a couple phone calls, too, asking for clarification on a few points.  So, in an effort to help any last-minute applicants, here’s a list of a few FAQ’s and their answers.  If you can’t find the answer here, definitely call us!

What does the 170 square inch size limit apply to? This size limit applies to the printed area, not the size of the paper or the frame.  Roughly, this is a 13×13 inch square.  The paper can be larger, but, make sure it fits into an 18 inch frame.  Due the the amount of works we have to fit in here, the outside height or width cannot be larger than 18 inches.

It’s asking me to pay and I haven’t uploaded my images yet! Different entry systems work different ways–some let you upload your images first and then pay, some make you pay first.  Smarter Entry is one of those where you pay first.  After you have created your profile and submitted your credit card information, the site will redirect you to a page where you can upload and edit your images.  KEEP IN MIND that you can create a profile image for yourself when you are creating a profile.  This is NOT where you upload your prints and will NOT be judged.

Are solarplates, photogravures, or other photographic print processes eligible?  Generally, yes.  A good rule of thumb is if the digitally or photographically created image is transferred to a matrix such as a screen or plate and then printed by hand (either with a squeegee, through a press, or some other traditional method) then it is considered a hand-pulled print.  If you exposed the final “print” in a darkroom or printed it out from a printer, it is not a hand-pulled print.  We know there are a lot of gray areas here, such as digital prints combined with handpulled prints, print collages, etc, so call us if you’re unsure.

Help! It’s 2 minutes away from the deadline and I’m having trouble uploading my images and there’s no one to call! First, calm down, take a deep breath, and read the instructions again.  You’re probably just rushing and missed a step.  We do have a built-in grace period of about 30 minutes for all those last-minute applicants (hey, we’ve been there, too).  If you really can’t get it to work, send us an email or leave us a phone message.  We’ll note the time, and, as long as it’s within that 30 minute grace period (so we know you really did try), we can help you finish your application the next business day.

C Street Arts Festival CFE

"Calm Day at Fort Stark" 2011 winning print by Hannah Phelps

Hi artists–this is a friendly reminder that you now have just under two weeks to apply to National Small Works for the reduced early bird fee.  The fee goes up to $30 after April 19.

If you aren’t applying to National Small Works due to size or media constraints, (or even if you are) we want to share another call for entries with you from C Street Gallery in Laurel, MD.  Saturday, June 9, 2012 from 10-4 will be the inaugural C Street Arts Festival.  In addition to music, poetry, theatre, and dance, the Festival will feature a juried selection of high-quality and diverse visual artists.  We personally love new festivals because the fees are always low, and this one is no different–there is NO application fee, and, if you are accepted, only a $35 booth fee (as compared to the multiple hundreds you might spend at Arts on Foot, Adams Morgan Day Festival, and others).  Bonus:  If you don’t have booth supplies like tents, chairs, and tables, you are able to rent them for an additional fee.

You can see the full call for entries on this website.  The deadline for submissions is coming up – midnight on April 18.  Artists selected for the festival will be notified by April 27.  Good luck!

Bookbinding workshops in VA

"The Journey" by WPG artist Rosemary Cooley, an accordion artist book

Hi Virginia artists, ever wanted to learn more about bookbinding and can’t make it all the way up to Pyramid Atlantic?  We just received a lovely invitation from Cat Tail Run in Winchester, VA.  We won’t be able to attend any of their workshops, which is unfortunate, because they look like fun!  Particularly interesting is Marbling Week-Three workshops that take the participant step by step from paper creation to finished book, starting with Beginning Marbling, then the Art of Paste Papers, and finally, Miniature Books: Creation and Craftsmanship.

Interested in these workshops or want to see what else Cat Tail Run offers?  Check out their class website.  Happy Binding!

Spring/Summer Workshops at WPG

Did you know Pyramid Atlantic has classes listed through August on their class website?  If you, a friend, or a family member ever wanted to learn more about a specific printmaking process, now is the time to sign up.  Our top picks are:

"Martin Schongauer Engraves St. Anthony," engraving by Evan Lindquist

Engraving, Saturdays, June 9 and 16, 11am-2pm-Did you like the second-place winning print from NSW last year?  It was an engraving.  Want to learn that technique?  Try it at this class!

Earth Day Papermaking, Sunday, April 22, 10am-4pm-This crash-course in papermaking teaches participants how to use recycled and and sustainable materials-including rags, kitchen scraps and vegetable based dyes-to make beautiful handmade paper.  The perfect activity for Earth Day!

Alternative Processes, Saturday, April 21, 10am-2pm-Gel Transfers and Acrylic Lifts-This is a great, solvent-free way to start printmaking.  In addition to learning this easy-to-master technique, participants will engage in discussions about the “why” of their art to help develop and fully understand the concepts in their art making processes.

PrintHouston 2012

"Freedom 13" serigraph by Andis Applewhite

WPG member Andis Applewhite is also a big part of PrintHouston, a biennial event that will see it’s second installation in 2012.  This month-long celebration of original prints takes place in June (with some overlapping/extended events happening through August) and includes exhibitions, lectures, workshops and other special events.

Want to participate?  PrintHouston is holding a call for entries right now: PrintHouston: NEXT.  This is a very different printmaking CFE that allows video, installation, ceramics-you name it-as long as the primary technique used to create the piece is printmaking.  The juror is Dena Woodall, Assistant Curator of Prints and Drawings at the Museum of Fine Art in Houston, TX.  Hurry though, the deadline is April 2.  You can see full details here.