Category Archives: call for entries

Harnett Biennial CFE

“Going Home” Woodcut by Tony Lazorko

It’s that time again!  We just received the Call for Entries for University of Richmond’s Harnett Biennial of American Prints.  Last Exhibition (in 2010) included works by WPG’s then member Tony Lazorko and current member Lee Newman, as well as friends of the gallery Lindsay McCulloch, Jake Muirhead, and Ann Zahn.  We’re hoping to see some more familiar names this round!

2012′s juror is Carl Solway, specialist in contemporary art and President of the Carl Solway Gallery, Cincinnati, Ohio.  The exhibition is open to all artists residing in the US and using traditional or experimental printmaking techniques and media (but no giclee reproductions).  The deadline for submissions is August 8, and you can download and entry form here.  There are several undisclosed purchase awards mentioned.  The exhibition will be on view October 23-December 9 of this year.  Good luck, printmakers!

May Calls For Entry

“Lure,” 4 plate etching and aquatint by Jonathan Goebel of Bluffton, SC

Wow, we haven’t done a call for entry round up in a while!  First off–we’re in the final days for NSW applications here at WPG.  If you haven’t applied, you have until 11:59 on May 19. You can see the prospectus, including details about the recently announced Tran Van-Dinh Award, at our website.

In addition to that, Northern Arizona University just emailed us the prospectus for their 6th annual Juried Print Exhibition.  This year’s juror is Ian Ruffino, Senior Lecturer of Printmaking at The Ohio State University.  NAU’s print show accepts all printmaking media except commercial reproductions, so traditional, experimental, and hybridized methods are welcome.  The deadline for submission materials is June 15.  For more information, email art.museum (at) nau (dot) edu.

Also, the inaugural, locally-held Capital Pride Festival is accepting submissions from LGBTQ artists for their 2012 Arts Stage. There is room for 12-14 artists, each with approx. eight linear feet of wall space.  Deadline for submissions is May 20. If you are interested in applying, visit their website.

Finally, this isn’t really a call for entries, but we did want to share some info from Pele Workshops in St. Louis, MO.  We just received a postcard announcing their summer workshops, and they look like fun! Included are a Stone Lithography Intensive (June 25-29) and Green(er) Printing, July 28-29.  Visit their website for more details.

C Street Arts Festival CFE

"Calm Day at Fort Stark" 2011 winning print by Hannah Phelps

Hi artists–this is a friendly reminder that you now have just under two weeks to apply to National Small Works for the reduced early bird fee.  The fee goes up to $30 after April 19.

If you aren’t applying to National Small Works due to size or media constraints, (or even if you are) we want to share another call for entries with you from C Street Gallery in Laurel, MD.  Saturday, June 9, 2012 from 10-4 will be the inaugural C Street Arts Festival.  In addition to music, poetry, theatre, and dance, the Festival will feature a juried selection of high-quality and diverse visual artists.  We personally love new festivals because the fees are always low, and this one is no different–there is NO application fee, and, if you are accepted, only a $35 booth fee (as compared to the multiple hundreds you might spend at Arts on Foot, Adams Morgan Day Festival, and others).  Bonus:  If you don’t have booth supplies like tents, chairs, and tables, you are able to rent them for an additional fee.

You can see the full call for entries on this website.  The deadline for submissions is coming up – midnight on April 18.  Artists selected for the festival will be notified by April 27.  Good luck!

PrintHouston 2012

"Freedom 13" serigraph by Andis Applewhite

WPG member Andis Applewhite is also a big part of PrintHouston, a biennial event that will see it’s second installation in 2012.  This month-long celebration of original prints takes place in June (with some overlapping/extended events happening through August) and includes exhibitions, lectures, workshops and other special events.

Want to participate?  PrintHouston is holding a call for entries right now: PrintHouston: NEXT.  This is a very different printmaking CFE that allows video, installation, ceramics-you name it-as long as the primary technique used to create the piece is printmaking.  The juror is Dena Woodall, Assistant Curator of Prints and Drawings at the Museum of Fine Art in Houston, TX.  Hurry though, the deadline is April 2.  You can see full details here.

MORE March Calls for Entry

It’s just a busy time of year!  In addition to our ongoing National Small Works Call for Entries, we have two more to share with you:

Pyramid Atlantic Annual Juried Member Exhibition:  If you’re a member, you’re eligible to apply to this annual exhibition, held in WPG’s own gallery space.  Last year was a great show, with wall-based installations and life-size paper dresses.  We’re looking forward to another great show this year!  The deadline for application is March 23.  After that, it’s a quick turnaround time between notification (March 26) and the work delivery deadline (April 6).  Full details can be seen at Call for Entry-you need to sign up first (free) and then you can access the calendar.

Prints Galore is a juried exhibition open to all US resident artists, held by the Santa Cruz Art League.  This exhibit will showcase the myriad types of printmaking, traditional and experimental. Digital media allowed only in conjunction with printmaking techniques.  Deadline is April 27.  You can download a prospectus at their website.

Good luck everyone!

March calls for entries and a shout-out to Smidgeon Press

Smidgeon Press artist and blogger Heather Lee Birdsong has done our work for us, this month!  Check out her wonderful list of ongoing calls for entry, specifically for printmakers across the nation.  There are currently 11 calls listed that have deadlines between March 9 and May 22, including our own National Small Works.  Thanks, Heather!

Printmaking 101: Applying for shows

Our 15th Annual National Small Works Call for Entries went live yesterday!  We encourage all printmakers age 18+ nationwide to submit your prints.  Do so before April 19, and you’ll get in on the reduced fee, only $20/four prints (instead of $30).  We thought now would be a good time to go over some do’s and don’ts of submitting your work, whether it be to National Small Works, another juried show, a portfolio event, or anything else!

DO read the directions fully and carefully.  We know because we’ve been there, too–nothing is more frustrating than preparing all your digital files as 300 dpi jpegs and then seeing that little note at the bottom that says they all must be .pdfs, or in a slideshow, or only 72 dpi.  But you could have saved yourself the extra work and trouble if you had read through the entire prospectus before submitting!  Not only will carefully reading the prospectus save you unnecessary work, following the directions to the letter will keep your submissions from being disqualified.

DO call for clarification.  You know what assuming does–so don’t.  If something isn’t clear to you–after you’ve thoroughly read the directions–call and ask!  Prospectuses are a constant work in progress, and it’s good for the organization soliciting entries to know if something isn’t clear.  It’s also good for you to make sure, so that your entry is the best it can possibly be.  There is no stupid question.

DON’T send a whole bunch of extra stuff.  If the prospectus call for four images, only send four images, unless, of course, you have the option to buy more.  Also, don’t send old show cards, catalogs, or other materials if they are not asked for.  These unwanted extras ultimately end up in the trash.

DON’T ask for special treatment–i.e., extending a deadline, permission to submit work in a different format, help formatting a CD.  This makes you look unprofessional, and more often than not the answer to these questions is “no.”  Stick to deadlines, and if you do need help formatting your work, get a friend or hire somebody to do it for you.  You can see our tips on presenting your work to get you started.

DO take care in shipping any accepted works.  WPG accepts over 100 packages of artwork every year, and we’ve seen just about everything.  Our number one pet peeve: PEANUTS!  Do NOT use Styrofoam peanuts–they get everywhere!  Do wrap you work well in bubble wrap or brown paper and make sure your box is sturdy enough to handle the journey.  Some of our artists send super swanky custom made boxes, which is great, but not necessary to insure your work get here in one piece.  2-3 inches of padding on all sides and a secure cardboard box around it generally means things arrive just fine.

DO reapply–if your work isn’t accepted by one juror/jury, reapply next year.  For better or worse, jurors come to the work with their own set of biases and preferences, and just because your work wasn’t picked doesn’t mean it’s not good.  A rejection letter also offers a good time to follow up with the hosting organization.  Calling and asking for any feedback allows them to tell you if your work wasn’t presented professionally, if the juror had any comments about your work, or maybe even a few insider tips that you can apply to future shows!

Calls for Entries to kick off the new year!

Last week we suggested a resolution for artists–make 2012 the year you get serious about your artwork–and we’re here to help you put it into practice.  Here are some calls for entries to consider as you start getting your artwork out there!

Especially for Montgomery County, MD Artists–There is a call for exhibitions of MoCo resident artists and art groups.  This call is used to select artists to exhibit in the Betty Mae Kramer Gallery in the Silver Spring Civic Building in downtown Silver Spring and the Terrace Gallery at the BlackRock Center for the Arts in Germantown.  The deadline is February 17th, so you have just over a month to get things pulled together (if you need tips on documenting your artwork, see our post here).  Full details for this call for entries is at this website.

Especially for Printmaking Students–You’ll need a little help for this one, as you need to be nominated, but it’s worth it to talk to your professors if you think you deserve it:  SGCI currently has a call for nominations out for Student Fellowships, which are awarded to one undergraduate and one graduate student who exhibit outstanding promise in the fine art practice of printmaking. The winning undergrad gets $500 and the winning graduate gets $1000.  Hurry though, deadline is January 15.  You can see the full call for nominations here.

For everyone else–Arc Gallery in Mill Valley, CA has an open call for the upcoming exhibition “Consequences.”  Deadline is February 24.  Details here. The Torpedo Factory in Alexandria, VA is accepting applications for its visiting artist program. Deadline is February 15. Details here.

Good luck!

Printmaking Call For Entries December 2011

Midnight tonight is the final deadline to apply for our Excellence in Printmaking exhibition.  If you are an MFA/BFA student (or in between) in the greater mid-Atlantic, take a few minutes to submit 3 prints–it could win you $500.  Not a $500 gift certificate, but an actual $500 check, courtesy of the Washington Print Club.  Details are at our website.

"Ernesto" by Ed McCluney, from his recent Press Room Mini Solo

Also, there’s 15 more days to submit a proposal for a Press Room Mini Solo.  This wonderful re-vamped space at WPG used to be a vault, but now houses our demo press.  We’re looking for month-long exhibitions that use printmaking/papermaking/bookarts techniques from artists outside our membership.  More information is at our website.

From the wider world of printmaking, there are two calls for entries we want to share.  First, the Mid America Print Council has a slew of  calls for its 2012 Biennial Conference, to be held at Camp Girardeau, Missouri.  These calls include a call for special panel participants, portfolio proposals, exhibition proposals, demonstration and event proposals, and presentation proposals.  More information on all of these calls can be found here.

Finally, Lillstreet Art Center in Chicago, IL is looking for artist residents in several media, including printmaking.  Residents receive work space in the classroom studios, free classes, learning and teaching opportunities, basic materials & firings, and a monthly stipend for additional materials or personal use. Residents are expected to be present and at work in their department 20 hours each week.  You can find out more about Lillstreet and their artist residency program at their website.

Deadline EXTENDED for Excellence in Printmaking

"Girl With Bottle" by Hallie Edlund, winning print from our 2011 Excellence in Printmaking Exhibition

After talking to students in the area, we realize it’s really crunch time for many of you who might be interested in applying for next year’s Excellence in Printmaking Award and exhibition.  As such, we have decided to extend the deadline by one week to next Saturday, December 17–by which time most exams will be over and potential applicants will have a chance to document work and submit it.

Remember, this exhibition is open to all MFA and BFA candidates from the greater mid-Atlantic (Delaware, District of Columbia, Maryland, New Jersey, New York, North Carolina, Pennsylvania, Virginia, or West Virginia) specializing in Printmaking.  While for many of you this means you are majoring in Printmaking, this does not exclude Painting, Sculpture, General Fine Art, or even Art Education majors–as long as you have taken at least two courses in printmaking and are 40 credits or less away from graduation, you’re eligible!

Out of the works chosen for the exhibition by this year’s juror, Joann Moser, one will win a $500 grand prize.  A second and third prize will be awarded to two other prints, and honorable mentions will be made at the juror’s discretion.  This is a great opportunity for young printmakers to gain a significant line on your resume.  Last year, we had almost 60% of the prints submitted accepted into the show, with some artists exhibiting more than one print–these are great odds for your work to be chosen!  And if it is, who knows, you could win that $500 grand prize!

You can see the full prospectus as well as a link to the application site here.  The new deadline is Saturday, December 17, at midnight.  Good luck!