The show is up! We’ll have pictures tomorrow (we’re still working on getting some labels up) but we thought you might want to know a little more about the three printmakers, which we introduced in a previous post, and their relationship.
Both Jack Boul and Robert D’Arista were teachers of Lee Newman’s. The American University Style that characterizes them grew out of the Studio School at the Phillips Collection. The Phillips Collection was one of the first modern-focused museums in the area. At the time, most fine art programs were based at museums, like the Corcoran School of Art is today. American University, at the time of Boul, D’Arista, and student Lee, was one of the first schools in the area to have a fine arts program outside of a direct museum affiliation. Today, many schools have their own independent fine arts programs, but it was unusual back then.
While all three of these artists have worked in different media, this show focuses on the three for which they are each best known: Jack Boul’s monotypes, Robert D’Arista’s drypoints, and Lee Newman’s (soft-ground) etchings. Robert D’Arista would make his own drypoint and engraving tools, smashing semi-precious stones and then supergluing the fragments into a mechanical pencil. These uniquely shaped tools give his drypoints a distinct quality.
After D’Arista passed, Lee Newman received many of his plates from which to print editions. Lee said he had to study D’Arista’s mark-making all over again, as well as the prints he printed himself, to recreate D’Arista’s special way of wiping. Lee said his style of wiping a plate simply did not work with D’Arista’s images.
We hope you’ll join us for the Artist Reception with Jack and Lee on Sunday, July 8, 2-5 pm. Check back tomorrow for installation shots!