Tag Archives: tracey hill

Fall Workshops Announced at Pyramid Atlantic

Pyramid Atlantic has announced their fall schedule of workshops, and it looks like there’s some fun ones!  For example, if you’ve always admired letterpressed stationary or books, you can now try it out for yourself in the “Introduction to Vandercook Letterpress” on October 8.  Then, if you take to it, sign up for “Make Your Own Journals – Letterpress and Bookbinding” on October 17 and 24.  You’ll get to print a customizable cover and then learn how to sew together your own journal.

If intaglio prints are more your style, there is “Drypoint, Engraving, Burnishing, and Roulette,” a class that focuses on physical markmaking (instead of the etching that uses nasty chemicals).  This class is November 2 and 9.

Finally, we want to mention a very special workshop with Tracy Hill, the British artist who will be sharing the December two-person show with WPG member Martha Oatway.  Tracy will be teaching “Exploring the Potential of Acrylic Soft Ground Etching: One-Day Master Class” on December 4.  This class encourages participants to experiment with mark-making using acrylic grounds (as opposed to the oil- and wax- based grounds traditionally used).

Pyramid’s workshops run $50 to $250 for non-members (less for members), and you get the added bonus of taking a peek upstairs at whichever current show is up at WPG!  To see all of Pyramid’s workshops and to register, please visit the link above.

From Our Summer Newsletter: Internationall Connections Part II

The following is part of a larger article introducing several international initiatives we are undertaking at WPG, which was introduced last week.  You can view the full article, and the full newsletter, here.

"Moor Walk" by Tracey Hill, monotype, 4x22.5 in, 2010.

WPG’s Spring newsletter introduced “Field of Vision”, a year-long project by UK printmaker Tracy Hill and WPG member Martha Oatway. Since January, the artists have been creating prints based on landscapes surrounding Lancashire, England and Washington, DC. Martha has been working at ArtLab studios (University of Lancashire, UK) and Tracy Hill recently completed a residency at Pyramid Atlantic in Silver Spring, MD. It is a rare opportunity when two artists can work together on a project for an extended period of time, including artist residencies in each other’s country. WPG looks forward to exhibiting Tracy’s and Martha’s prints from this international collaboration in December 2011.

"Mapping the UK" by Martha Oatway

Comments from Martha Oatway: I’ve been in the UK for nearly 2 years now,
so my “US” eyes are not as US as they were when I first arrived. However, I still have a visceral response to the landscape conditioned by my early childhood in Maine, and I still find wonder in the UK landscape. Recently, Tracy Hill (senior printmaking technician at University of Central Lancashire) came to Pyramid Atlantic for a 9 day residency. This is part of an exchange between UCLan and Pyramid. I’ve been doing the Artists Access to Art Colleges (AA2A) at UCLan, and the university sent Tracy over for the residency at PA. I learned a most  important thing while Tracy was in the DC area, walking with me for our December show at WPG. Now that I’ve been away from the US for a lengthy time, seen and experienced a different landscape, I see the US landscape through different eyes myself. Tracy and I talked as we walked here, and I found I was experiencing the US landscape in a new way when walking with her. Now I see things in the US landscape that I took for granted before. So, being away has made me look at the US landscape with awakened eyes and new awareness.

Comments from Tracey Hill:  During my visit to Washington the thing that struck me most was the feeling of openness about the city. It was a real joy to discover the little treasures of parks and gardens which are hidden amongst the buildings and road systems. I love the juxtaposition of planned city with the natural systems of forest and river. They dominate and support the city by linking its people and their lives to each other and the past histories of the country. In contrast, the urban towns and cities of Lancashire were places of slow growth spreading out and carving their way into the landscape searching for space as the region was shaped by the industrial revolution. Lancashire takes its name from the city of Lancaster, which itself means ‘Roman fort on the River Lune’, combining the name of the river with the Old English cæster. The waterways and rivers, which were so significant to the lives of people living in this area as communities were formed, are still important today connecting and creating corridors of natural space.

From our Spring Newsletter: Field of Vision

We ended last week with a postcard from Martha Oatway in the UK.  Read more about her upcoming December exhibition with UK printmaker Tracey Hill.  The full article can be seen in our Spring Newsletter.

WPG member Martha Oatway and UK printmaker Tracy Hill recently commenced a year-long collaborative printmaking project entitled Field of Vision, born out of a shared passion for walking. The two artists conceived of the collaboration as: “Two printmakers, two different ways of seeing but with one vision – to walk in each other’s respective homeland and respond to those landscapes through print.”

"Moor Walk" by Tracey Hill, monotype, 4x22.5 in, 2010.

Below, Tracy Hill shares a few comments about landscape as subject and inspiration for their work, and their two prints shown here provide a first glimpse of the series. The entire body of work created for Field of Vision will be shown at Washington Printmakers Gallery during December, 2011 and later in the UK. (More information about the artists and comments by Martha Oatway are available in the full article, published in our Spring Newsletter.)

“… In a country that is so densely populated, open space can be hard to find. I am intrigued by those surprising spaces that have been forgotten. Space on the edge of rivers, canals and housing are often pockets of wildness: these areas are not considered on conventional plan maps and yet account for thousands of square miles across Britain.”